images troades 2904b8239

VEAKIO THEATRE – TROADES with Maria Protopappa




Wednesday, July 23rd at 21
30 Dear friends and members of ” EXALIPTRON ” the leading, talented actress and director Maria Protopappa, awarded by our Group, with the Theatre Award a
t the first award “Women’s Awards EXALIPTRON 2014” https://exaleiptron.eu/the-awards/138-maria-protopappa-theatre-and-acting-awa
rd, which also won the first audience award in 2013 for its performance in “Mourning fits Electra”, will be with us on Wednesday in Veakio playing Andromache in the “TROADES” of Euripides, with the Municipal Regional Theatre of VEROIA and the 5th Art Age.
Any friends who have remained in the clynon asty and want to watch the show on a reduced ticket, contact the Group’s phone number until this evening
at: 690.983.5661.
In the performance they interpret the roles and the choral texts: Filareti Komniou, Stelios Mainas, Aris Lebesopoulos, Zeta Doukas, Ioanna Pappas, Christos Plagiannis, Lena Papaligoura, Maruska Panagiotopoulou, etc.
The direction of the show is signed by Themis Mamoulidis in translation K.C. Myrrh and text editing by Themis Mmoulidis.
The sets are by Giorgos Patsa, the costumes of Panagiota Kokoros and the music of Dimitris Papadimitriou.

A few words about Euripides and the
work: Euripides the greatest tragic poet (Aristotle described Euripides as the “most tragic of all”) was born in Salamina in 484 or 480 and grew up in the one-way experience of the thriving Athenian Republic.
A student of Anaxagoras, he entered the circle of Pericles where politics, philosophy and new ideas were problems that were treated with passion in everyday miracles of creation and free reflection.
He wrote 90 works and 18 or 19 of them survive. He died in Pella, Macedonia in 406 BC.
The work of “TROADES” is the most popular of his surviving tragedies. It is a purely anti-war work, timeless, which captures as much as any text of the ancient Greek secretariat the arrogance of power and its disastrous consequences.
Troy’s on fire. Her culture is being destroyed. The future of a country is buried. Women captive to their fate and the decisions of the gods. A formidable allegory of then with today, a quick passage into the history of all kinds of war and its consequences. Women with suitcases in their hands are driven to immigration, to puzing… An intimate and contemporary image. Another escape from a different war… take the path of foreignness, slaves and loot into the hands of the victors.
History repeats itself…

From : Nana Latsi

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